Author: PHW

In 1999, PHW began talks with the Chamber of Commerce to sell the Kurtz Building. In January 2001, the deal was completed with a few stipulations. Although the Kurtz Cultural Center and Welcome Center would be closing, PHW would retain office space in the building for a period of time rent free. The Kurtz era officially came to a close on April 21, 2001 with “A Toast and a Tribute,” an event for the volunteers and staff who had poured a decade of time and love into the Cultural Center and Welcome Center.

The closing of the KCC was a tumultuous time in PHW’s history. In addition to closing out the programs and activities, removing exhibit materials, and selling off Gift Shop inventory and fixtures, the PHW offices were relocated inside the Kurtz Building to much smaller quarters.(1) In the midst of this difficult process, PHW was still juggling the Blues House events, the renovation of 401-403 South Kent Street, and internally struggling to adapt from the past focus on the KCC programming back to preservation.

The sale of the Kurtz Building had finally provided PHW the means to ensure the financial longevity of the organization. The trouble arose in regards to what portion of the money should be reserved for preservation projects and what amount should be put toward operating expenses. In 2003, the schism between PHW board members reached its lowest point, resulting in PHW returning to a volunteer only operation and with a deeply reduced board and programming roster.

Times looked bleak for PHW, but the remaining board members committed to reorganizing and revitalizing the organization.

Additional information for this blog post came from PHW minutes from 1999-2003.

For almost ten years, the Kurtz Cultural Center offered a diverse range of programs and activities with a number of community partners and traveling exhibits from larger museums. The KCC not only provided high quality exhibits with a particular focus on local history, but also offered a range of supplementary programs like lectures, children’s programming, appraisals from experts, and preservation techniques.

Several exhibits, namely “West of the Blue Ridge,” “A Community at War,” and “Valley Collectors” were well documented and exhibit photos can be viewed in PHW’s Picasa Gallery. Be sure to visit the album on Flickr to see even more exhibit photos from the Kurtz Cultural Center. At least some of the exhibits by year included:

1992
Regional Reflections: Juried Art Show
Celebrating Patsy Cline
Manufacturer’s Exposition

1993
The Civil War information center opens
Valley Quilts: A Pieced Tradition
West of the Blue Ridge
A Tradition of Cabinetmakers
Valley Childhood Life
Big Al Carter

1994
James Wood and the Founding of Winchester
Totally Touchable art exhibit
Children’s Heritage poster contest
D-Day 50th Anniversary Exhibit
Quilt by Quilt
Winchester: People, Places and Things
Artstravaganza
Vanished Winchester
Away, I’m Bound Away
Woodworkers of the Valley
Works of Isaac J. Sanger

1995
Before Freedom Came
Art in Bloom
A Community at War

1996
Pictures of the World: The Art of the Mapmaker
View Point ’96 by SVAA
A Legacy for Winchester: the Julian Wood Glass Jr. Collection
Art Smart art exhibit
Valley Collectors

1997
Mirage exhibit by Elaine Rebman
Jewish Virginians
Faces of the Past portrait exhibit
Rivers, Fields and Skies exhibit by Wiley Redford Wine
The Tradition Continues: Woodworkers of the Shenandoah Valley

1998
Like Grass Before the Scythe Civil War relics exhibit
Lee Teeter art exhibit

1999
Realism x 4
George Washington and the Virginia Frontier

2000
The Art of the Frontier Gunsmith

This post is part of the series of history posts in celebration of PHW’s 50th Anniversary year. For the newcomers to this list, you may catch up on the earlier posts in this series at the PHW blog under the tag 50th Anniversary.

With the Kurtz Building well on track after the hard hat tour in April 1990, it appeared the Kurtz Cultural Center was ready for smooth sailing. The exterior had been cleaned up — no longer could it be called just an ugly grain warehouse — and the interior was being prepared for its new use as a Cultural Center while retaining as much of its architectural integrity as possible. The basement had been dug out to allow room for a hands-on children’s gallery space. The second and third floors were set aside for gallery and office space. The majority of the first floor was designated for the first official Old Town Welcome Center in Winchester. (1) (2)

As promised, in the fall of 1990, Winchester City Council conveyed the Kurtz Building to PHW. As had been established years before, the conveyance was for the building only, not the land, and Frederick County still retained an option to build on the land. It was well understood that at any time the work PHW put into saving the Kurtz could be undone — although that possibility was remote, it was never glossed over. Thus it was a surprise when the Frederick County Board of Supervisors leveled the accusation that by conveying the building to PHW, the City unilaterally changed the terms of the 1980 City-County agreement. (3)

The Winchester Star suggested an idea to lay the Frederick County building option to rest once and for all by selling the option for $1 to PHW. The option was of limited value to anyone else, particularly since the Kurtz Cultural Center was poised to become a reality. It was suggested that by offering the option at a nominal price, it would show the County’s willingness to see the Kurtz Cultural Center succeed. However, the value of the option that the supervisors reached was $20-25,000. Their counteroffer was that the $20,000 from PHW’s purchase of the option would be put toward preserving Frederick County Civil War sites. (4) (5) (6)

Unsurprisingly, PHW submitted the only bid — $10 — for the option. (7) The bid was not even considered in 1990, and the issue lingered into 1992, when the County attempted to hinge the building option on annexation agreements between the City and County. (8) Undeterred, PHW continued its work on the Kurtz Cultural Center, even moving the PHW office from the Hexagon House to the Kurtz Building in April 1992. (9)

At last, on June 1, 1992, the Old Town Welcome Center opened at the Kurtz Building. With the welcome center operational, the downtown had a central location for brochures and tours, public restrooms, a gift shop, and the first few exhibits of the Kurtz Cultural Center (10) (11) One month later, the longstanding issue with the Frederick County building option was resolved when Winchester City, Frederick County, and PHW entered into an agreement that the City would release its reversionary clause and conditions from the 1990 deed, and the County would release its option until such a time as the Kurtz Building reverted to City control. The Kurtz Cultural Center was now ready to serve the community without fear of further entanglements in the annexation negotiations.

This post is part of the series of history posts in celebration of PHW’s 50th Anniversary year. For the newcomers to this list, you may catch up on the earlier posts in this series at the PHW blog under the tag 50th Anniversary.

At long last, in May 1988 the final contract between the City and PHW to allow the organization a chance to find a new use for the “ugly” Kurtz Building was finalized, though with a few important strings attached. The City would not turn over the building to PHW if and until the work was completed on time — should PHW fail to complete the rehabilitation by 1989, the City would not convey the building to PHW. Frederick County still retained building rights for the land surrounding the Kurtz as well. Although unlikely, there was a possibility the County could decide to build on the lot and thereby raze the Kurtz. (1)(2)

Despite the gravity of the situation, spirits at PHW were high and optimism abounded. Thomas Kamstra and Eric Snyder were brought on board as architect and project manager and public input sessions were held with them to plan for the building’s future uses.(3)(4) Elaine Rebman was hired as the director for the Kurtz Cultural Center.(5) And in keeping with PHW’s tradition of hands-on volunteerism, a demolition party manned by volunteers cleared out the interior of the Kurtz.(6)

With this groundwork laid, it was time for PHW to make the most of the opportunity to save the Kurtz.(7) The $100,000 in state money from the Virginia Preservation Fund came through, after being chosen from a pool of 120 other applications. Local businesses and individuals began making contributions for the named rooms in the Kurtz Building, and the fundraising events began with an art show by Geneva Welch and an oriental rug exhibit and sale. Shenandoah University donated a performance of “The Pirates of Penzance” to the fundraising efforts, and PHW was given permission to make prints of the Edward Beyer painting “A View of Winchester,” which is now on display at the Museum of the Shenandoah Valley.(8) (9)

This pattern continued through 1989 and 1990. PHW was granted an extension for the exterior and structural stabilization phase due to complications from asbestos removal, but the fundraising events continued full steam, with more state grants, more donations from local businesses, and more art, antique, musical, and fashion shows. A playhouse-sized model of the Kurtz Building was even constructed by local high school students and raffled as a fundraiser during the 1989 Potato Hill Street Festival.(10) The project at last began to seem like a reality in April of 1990, when the building was opened for a hard hat tour to show off the structural work and the mysteries uncovered in the building.(11)